Thursday, April 30, 2009

"The Soloist" Review




The formula seems perfect: Take a director pedigreed in Oscar-nominated period pieces like "Atonement" and "Pride and Prejudice" and give him two Oscar-nominated performers in Robert Downey Jr. and Jamie Foxx for a remarkable true story. Sounds like a surefire candidate for Best Picture right?

Maybe.

Robert Downey Jr. plays LA Times columnist Steve Lopez, a brash constantly put-upon man in a newspaper industry that's axing veteran writers left and right. He finds an idea for a story in Nathaniel Ayers, a disturbed homeless man who also happens to be a musical prodigy playing for passing cars on a busy street.

The problem with the Soloist is that while Robert Downey Jr. and Jamie Foxx's performances are great, the film itself seems to be pulled in a lot of different directions. One minute it's an ode to the love of music and the next it's a portrait of a gifted but troubled genius before finally becoming a meditation on the issue of homelessness in America.

Any one of these topics would have worked on their own, but together the film feels cluttered and a little unfocused. It's through no fault of director Joe Wright, whose delicate touches are refreshing in a film that could've just hammered the audience with overwrought symbolism. The screenwriter Susannah Grant had a lot to work with from Lopez' book of the same name and it feels like she tried to hit all of the high notes.

While it's not really important that the film gets an Oscar nod like the rest in Wright's stable, the film has a good message, if only a little messy in getting its point across.

Grade: B+

The Good, the Bad and the Bizarre: Found Footage Festival


One man's trash is another man's treasure.

From cheesy 80's promotional videos for restaurants like Chick Fil A (pictured at right) to 17 sexual harassment training videos pared down to a "Best of" montage of reenactments and a music video made by a couple of wrestlers who call themselves the Fabulous Ones, the Found Footage Festival is a national tour showcasing the weirdest videos scraped off the floors of restaurants and only the highest-quality thrift stores and garage sales.

The videos have a "so bad it's good" quality to them. The washed-out color and VHS quality gives the footage a kind of public-access TV charm. The humor is mostly unintentional like the seriousness and earnestness of sexual harassment reenactments and also there's "Murder She Wrote" star Angela Lansbury in her skivvies.

The minds behind the festival are Nick Prueher and Joe Pickett, whose writing credits include the Late Show with David Letterman, reputable stalwarts of internet journalism the Onion and conservative savior The Colbert Report.

With video contributions from David Cross (Mr. Show with Bob and David) and Chris Elliott (Saturday Night Live),

The pair will take their show on the road to Dallas' Lakewood Theater on Friday May 8th at 8 p.m. Tickets are ten bucks and I'm sure it would be worth it just to see the instructional video on how to toilet-train cats (it's funny and informative too!).

For more info, check out the website at www.foundfootagefestival.com

Thursday, April 23, 2009

Valentine's Day in April?

By Naheil Qudah
Staff Reporter

That's correct! But think less roses and greeting cards, and more guts and glory. I'm talking about the four-stint reunion tour that self-proclaimed alternative band My Bloody Valentine kicked off this week after performing at the Coachella Valley Music and Arts Festival in California. They showed Texas some love by hitting up Austin Music Hall in the state capital last Tuesday, April 21 before playing the Palladium Ballroom in Dallas the following night.

You know the band's unmistakable sound, but what about their performance?

Reaching their peak in the early 90's, the band is widely attributed as generating and influencing many of the decade's "shoegazing" bands. The genre got its name from the inanimate nature that its musicians took on when performing and the crowd at the My Bloody Valentine concert took on the same look, standing dumbstruck while the band invaded the room with its experimental tunes and unassuming stage presence.

The band was in a similarly trance-like state: they addressed the audience only once, when guitarist Bilinda Butcher coquettishly waved and replied to an overexcited fan, "We love you, too!" At all other times the members were focused solely on producing a cohesive and emotional sound through their instruments and microphones. The show was a bigger tribute to instrumentation than anything else- you could hardly hear the vocals, but you knew something must be coming out of frontman Kevin Shield's and guitarist Belinda Butcher's mouth movements- so listeners who feel the need to connect with a performer through the sound of their voice would likely be left unsatisfied.

But the hard-hitting music! You know you're going to hear something intense when the doormen issue you earplugs upon entry (true story). The sound was wild, tremendous and fierce and the audience stood motionless, allowing it to pulse through them. World's calmest crowd, or the embodiment of ripping reverence? Answer choice B, please.

And the biggest highlight? Just before the concert ended, the sound approached a volume level that at once petrified and delighted the audience. In the middle of their final song, You Made Me Realise, all four members entered a zone of concentration and delivered an explosive sound that literally shook the room, playing an ear-splitting and vocal-free rhythm that stayed steady for the most part but slowly introduced intricate nuances. A wall of feedback. Hypnosis at its finest. The 13 minute auditory stare game left audience members unsure of whether to headbang or shoegaze. Instead, everyone buried their fingers in their ears, squinted their eyes, contorted their faces and moved forward, loose-limbed and slack-jawed.

When the emotional cacophony was over, a cursory glance around the room showed open-mouthed listeners whose shocked and hungry faces were illuminated by uneven strobe lights. Even more impressive was the way that the band picked up where they left off before the sound-off and completed the melodic song without skipping a beat.

Their performance seemed like something from outer space, and the audience member in front of me astutely hypothesized that this must be what it sounds like to be sucked into a black hole. Loud enough to make the earplugs necessary, vicious enough to make your hair and clothes literally vibrate throughout the entire performance.

More than just a concert, seeing My Bloody Valentine live was a full-body audiovisual experience for spectators' minds and senses.

"What the hell just happened?" I wondered out loud after the show.

"I think I saw Jesus!" the guy on my left exclaimed.

If you ever get a chance to see the band live, don't just take the opportunity; take a friend and spread the V-Day love. It will be a greater experience than either of you are possibly able to expect.

Sunday, April 12, 2009

Metal Band Lamb of God Stick To The Formula That Works


Listeners might think Lamb of God is a Christian rock band judging by the name of their band, the biblical tinges in their music and the first track off their newest album "Wrath."

Bu then they would be in for an unpleasant surprise.

The lull is short-lived and the full-blast barrage of “In Your Words” begins. It’s almost as if the band wanted to get some calm guitar passages off their chest before things get heavy and the band doesn’t let up until the end.

The themes of destruction and rebirth are constant. The band even reaches for a political post-9/11 song with the closer "Reclamation" which features lyrics like "Humanity's a failed experiment, walking the path to extinction, spinning it's wheels endlessly. Grease them with oil and uranium."

Kind of a downer, but if you have listened to them before, you should know by now what to expect, which leads to me to my only criticism of the album. Fiercely technical and lean in the fretwork without sounding sterile and robotic, the band doesn’t waste any time in saying what it wants to say and nothing more, nothing less but this virtue also turns out to be the band’s greatest vice.

There’s little filler to be heard and the songs are solid enough to be memorable, but at the same time there’s little room for experimentation. If you like your heavy metal traditional and to the point, you won’t have a problem with it but those expecting the eclectic mix of styles from bands like The Dillinger Escape Plan or Mastodon will look elsewhere.

The band started in 1990 as the instrumental group Burn the Priest. They got a new name, a vocalist and the since the move they have enjoyed mainstream success on their 2004 album “Ashes of the Wake." That album yielded a critical and commercial hit with “Laid to Rest.”

Lamb of God has often seen comparisons with the local and legendary Texas metal band Pantera for their emphasis on rhythm and syncopation of the drums, guitars and bass rather than style points like many metal bands seem to be aiming for nowadays.

All in all, the highlight tracks for me are "In Your Words," "Set to Fail," and "From Everything to Nothing."

Wednesday, April 8, 2009

Billy Bob Thornton Gets Thorny (Sorry for the Pun)

Evidently actor/musician Billy Bob Thornton got a little peeved when the host of a Canadian radio show introduced him and his band the Boxmasters by first mentioning that he's an actor.

Thornton argued that it was agreed that the producer of the show was told not to have any references to Thornton's actor past, not that it's shady or anything to be ashamed of. The guy has got

What transpired soon after could be described as a "WTF" moment. Thornton half-responded to questions like his musical influences by bringing up a magazine about "film monsters" and mashed potatoes. The bizarre awkwardness, Thornton's gravelly voice and laconic behavior suggested a cowboy on codeine.

His band's pretty good though.

http://podcast.cbc.ca/mp3/qpodcast_20090408_14110.mp3